If I was a film critic, I’d probably mention the manner in which the juxtaposition of technical miniramp lip tricks and big fuck off transfers creates a tension within the work, making it more than the sum of its parts as it showcases the skateboarder in question’s all-roundedness. Actually, I probably wouldn’t say ‘big fuck off transfers’, or make up words like all roundedness. As I’m not I’ll stick with A) Watch more Chris Atherton edits if you don’t know, and B) Anybody want to build a replica of the Bones miniramp?