I’ve heard you’re not the biggest fan of interviews…
(Laughs), that’s not true. I’m just not good at it.
You went straight from filming for adidas Diagonal [2009] to Real’s Since Day One [2011]. Away Days was already in the works whilst Through And Through [2015] was being made. Also, you ride for Volcom and their video, Holy Stokes, premieres soon. How difficult was it handling multiple videos this time around compared to the Since Day One/Diagonal days?
Since Day One and Diagonal didn’t really coincide. I think Diagonal was finished already and then we started working on Since Day One. Through And Through – I didn’t really have that much in there, just whatever I had, they used. For me, the Volcom video kind of took the back seat and they were understanding about it. I just told them that I had to focus on my main sponsor. I’ve filmed a few things for that, but nothing like a full part.
Your footage in Since Day One was mostly in America whereas the main focus, and theme, of Away Days has been filming trips to different countries. Which process do you prefer?
I guess I like being at home, that’s what I’m gonna say right now just because I’m so tired of travelling. But travelling is definitely rad too; new spots always help to get you sparked. It’s motivating to skate something cool that you don’t see everyday and also to have in mind that you might never come back. It helps you pull something out of your ass that you might not do if you looked at it everyday at home.